Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Nardo, Mariotto diNM
Saint Nicholas Saves Three Innocent Men

ID: 19606

Nardo, Mariotto diNM Saint Nicholas Saves Three Innocent Men
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Nardo, Mariotto diNM Saint Nicholas Saves Three Innocent Men


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Nardo, Mariotto diNM

Italian Painter, active ca.1394-1424  Related Paintings of Nardo, Mariotto diNM :. | Der Letzte Buffel | Louis XIV Arriving in the Camp in front of Maastricht | Portrait de Philippe IV en buste (df02) | Portrait of Friedrich Ferdinand von Sachsen-Weimar-Eisenach | A Provincial Town in France |
Related Artists:
Josef Englehart
Austrian 1864-1941
Sergei Sudeikin
Well-known Russian and emigre Symbolist painter, graphic artist, theater and film designer,1882-1946 was a Russian artist and set-designer associated with the Ballets Russes and the Metropolitan Opera. Having been banned from the Moscow School of Painting, Sculpture and Architecture for his "obscene drawings", Sudeikin joined the Mir Iskusstva movement. His close friends included the poet Mikhail Kuzmin and the impresario Serge Diaghilev, at whose invitation he came to Paris in 1906 for the Salon d'Automne Exhibition, where his work was first shown abroad. In 1907-1918, he was married to actress Olga Glebova (1885-1945), one of the famed beauties of St Petersburg and the closest friend of Anna Akhmatova. Glebova-Sudeikina is the principal character and addressee of Akhmatova's longest work, "The Poem Without Hero" (1940-65). Sudeikin designed the sets and costumes for Diaghilev's production of La trag??die de Salome by Florent Schmitt in 1913, and assisted in the execution of Nicholas Roerich's designs for Stravinsky's The Rite of Spring the same year. By the time of the October Revolution Sudeikin was among the foremost theatrical designers in Russia.
Jacob van Schuppen
Born in Fontainebleau, France, as the son of the painter-engraver Pieter van Schuppen, he worked in the Netherlands before moving to Vienna. He was taught to paint by his father and his uncle Nicolas de Largilliere. In 1719 he was registered in Luneville, but he moved in the same year to Vienna where he became court painter. In 1725 he was appointed director of the Academy of Fine Arts Vienna, when it was refounded by Emperor Charles VI as the k.k. Hofakademie der Maler, Bildhauer und Baukunst (Imperial and Royal Court Academy of painters, sculptors and architecture).






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